AUTOMATIC PANIC stands way above the underground world of Electro. He is a triple threat: producer, DJ and remixer. His music is praised and played by heavy hitters such as Justice, Felix Da House Cat and Digitalism. This club hit maker has remixed everyone from MSTRKRFT to Puff Daddy and his track “The Sound” was recently released on SONY Records ONELOVE Compilation, mixed by Junior Sanchez. He is clearly no stranger to the DANCE SCENE but is talented and diverse enough to bridge the gap between pop and dance music. He produces electro pop punk queen, DJ Cat and all of her music. “I’m not POP. I’m just PUNK!” he exclaims. Indeed, his unique style and diverse tastes in music bring a rare sound which is never duplicated. AP is constantly introducing new remixes and new tracks, often his own, into his mixes. However he never forgets his roots bring in a healthy amount of the best tracks of the past and present electro dance rock. The future? Despite a busy studio schedule, 2009 will introduce Automatic Panic’s live show! Teaming up with New Yorker, DJ Cat, the two will embark on a tour sure to wow audiences. Causing thunder on the dance floors from coast to coast, city to city, country to country, the sounds of Automatic Panic is coming your way! For more info visit: myspace/automaticpanic
Automatic Panic: Louder
xo
Daisy O’Dell
James Ford and Jas Shaw. Two men. Three letters. SMD. Electronic pioneers. DJs. Producers. They’ve been tearing up dance-floors around the world for the past few years, but how did their story begin, and where will it end…? Back in the late ‘90s, James and Jas were studying folklore and physics respectively at Manchester University, while crafting strange electronic music in the spare room of their shared house. Although he eventually dropped out of his course, Jas’s grounding in quantum physics was to come in useful later: the drum pattern on SMD’s early white label Tits & Acid was based on matrix mechanics devised by Werner Heisenberg. But before Simian Mobile Disco there was Simian, a four-piece band Jas and James formed at Manchester with singer-songwriter Simon Lord and bass-player Alex Macnaghten. Like contemporaries such as Broadcast and the Beta Band, Simian sought to combine traditional songwriting with electronic sounds, with one key difference – their name did not contain the letter ‘B’. Soon the duo started knocking out their own tunes, releasing limited edition early bangers such as The Count, Fake Bake, and Clam Digger on friend’s labels like I’m Cliché and Kitsune, Catnip and Wax Fuckface. One early tune – Epilectrics – infamously had to be withdrawn from record stores when it was found to induce fits in dogs and Tweenagers alike. So what’s next for Simian Mobile Disco? 2009 will see the release of their hotly anticipated second album, Temporary Pleasure. If Attack Decay Sustain Release was a record for the dance floor, their sophomore effort is aimed squarely at the boudoir. “This one’s for all the ladeez out there”, says Jas. “And for all the gentlemen who wish to get with those superfine ladeez”, adds James. Then the boys will head back on the road, bringing their unique blend of hip-house influenced crunkadeleic poonstep to a venue near you. Be afraid. Be very afraid…
“With my job as a DJ, I’ve got to listen to music ALL THE TIME. I have a constant soundtrack running through my head (and running through my cute 
Daisy O’Dell’s latest remix is for her fellow Torontonians, Dragonette. Daisy calls it her Extended 80s Club Mix – take a listen and you’ll see why!
